By Christmas, somewhere between the kitchen and the family, I managed to watch the first season United States of Tara . There were no oohs and the jumps in pressure. But it's a good show. You can say: wonderful craft work. I'll watch next: You can see that the first series is just a recognition of land, and the characters tempt potential plots. Tara another child is Showtime, which has managed the essence of familial schizophrenia. And more: the breakdown of personal life in general. Sho produces a series of relatives and friends and endless zakopujących odkopujących the dirt. Routinely, no catharsis.
Christmas Past, came fifth episode third season Sister Jackie - the show where I am in love with the tips of your ears. Jackie reached out from behind the ashes of loosened boards in the ceiling. None of the spoiler: Jackie detained the ashes of the many interesting places, but mostly wears them in her apron pocket. But just standing at the desk przytarganym a half empty room, challenging the rats that they match it to the pill, Jackie is the essence of myself and a few women, hmmm, female Showtime series.
Jackie separates family and professional life with the precision of a surgeon. Moreover, the only person to whom you voluntarily cross the border between the hospital and home, is a surgeon - her friend the department, Dr. O'Hara (left), is also unparalleled in keeping privacy under lock and key. Jackie loves her husband, Kevin, of which he has two daughters. But I also love Eddie pharmacist. And the first season is largely devoted to someone who knows about who and what he knows - and usually no one knows about anyone. Jackie balances on the edge - a hospital the hospital, home from home. He can talk on the two cells at once. Rats can fry her ashes, but they can not - wygryźć holes in the walls of drawers, which packed their lives. Dr. O'Hara is easier, "changed the continent", he lives alone (in hotel). Fiendishly clever unavailable, patriotically sarcastic (from England says the London accent with a hint of Sussex, her uncle was the Earl). Before Jackie - and audience - is discovered slowly. Although Jackie and so nothing surprising (well, except maybe his feelings did not fit on the scale between a cynical rip-sensitive), "you're so sophisticated ...". Causes a short circuit is not the same sincerity (O'Hara: "You know that I prefer to die than to be Kevin and Eddie"), and the imbalance between and we know they do not .
In The Big C, show a very undeservedly unnoticed (Golden Globe, okay, but how many people just touched her shoulders?), A cozy, modest attempt to get into the area marked Sho formerly Six Feet Under , played by Laura Linney Cathy hides from his family late-stage cancer. Of course, make up for past and future implements its close a growing mess. Less and less explicable. A secret swell. So again, a series zakrywaniu hiding and where truth and honesty stand in jeopardy.
And now Nancy Botwin, unless, as seen in the photo on the left, the first femme fatale modern television, the woman deadly, yet, oh, how incomparable the flirtation with chaos! Despite all the weaknesses of last season, where the absurdity of almost completely obscured the drama of the first series, I will defend weed till you drop, the very structure of the series, which consists of widening the field destruction, carrying death and destruction of the heroine, too much copy into the bundle. Nancy Botwin, on the edge of today and yesterday, and, as it it turns out, long before the entry into stoned business. Nancy Botwin, beyond the law and morality. All TV films, often straight from the soap operas, entangled in the affairs of an internationally organized criminal activities and DNA phantoms, stick to the weeds fascinating portrait of the contemporary woman fatal, where each element of identity can be undermined and rotated on plecki. And perhaps what is most fun as Celia Hodes (Elizabeth Perkins - BACK PLEASE!), Her desperate attempts to be Nancy ("Mom, why przebrałaś to be a whore?"). Celia nie tylko nie posiada wdzięku czy inteligencji byłej sąsiadki; przede wszystkim cierpi na brak tajemnic. U Celii wszystko jest na wierzchu, śmieszne w swej oczywistości. U Nancy oczywisty jest tylko jej szkodliwy wpływ na środowisko.
W końcu wracam do Tary: ta bardzo nie chciałaby mieć tajemnic, ale nosi je w głowie. Cierpi na zaburzenie dysocjacyjne tożsamości, żyje razem z nastolatką T, bogobojną kurą domową Alice i ziomem Buckiem. Status Tary i jej osobowości (polskie tłumaczenie tytułu jest naprawdę mocno z dupy) jest więc na samym wstępie bardzo podejrzany i automatycznie performs different identity contexts, which I would prefer not to think, because such thinking hurts and brings strong turbulence in defining himself. Tara has a great family, patient husband, a fantastic daughter and son, who reminds me of when I was fourteen years (even the hairstyle is similar), and is loved. It's the most ostentatious image of love-risk: you do not know whom you love, because I do not even know who you're talking.
I think now of those series - and with less Californication , Queer as folk and L Word that seemed to come from a different era, the latest Shameless and Episodes , and I have before my eyes a very nice gallery. And yet - the danger in dealing with them seems to be obvious. So it goes, that Showtime, producing essentially charming series about people popierdolonych, encode in their stories warning of another - both us toward pushing the Other. Beautiful and inspiring.
